[n.Eju]

https://www.youtube.com/watch?v=qI3pfa5QNZI . Ràdio Ballet:

– The discipline: Interactive performance/ happening.
– The theme: Investigation about limits and social codes in a privatized and controlled public space.
– The location: The performance takes place in a normal working day in a main station. A really crowded and controlled place. The artists introduce the audience in an interactive way using a radio device that gives them concrete indications. This is the key of the piece: what happens when in a regulated and privatized “public space” a mass of people is introduced in an unexpected performance, doing the same thing but placed in different points and directions, guided only by the indications of a radio without any more explanations?
– The audience: there are three types: participative and conscious audience guided by the radio, casual or “accidental” audience, and workers of the main station, specially security workers.
How is the audience arranged? Does it seem to have a role in the performance? What kind of relationships can be observed between the artistic work and the audience?

https://vimeo.com/253739168 . Tuga:

– The discipline: mime and clown.
– The theme: A character arrives in a concrete point of a town, discovers the place and interacts with all what happens around him. He tries to provoke, alter or he just tries to transform in an amazing experience the ordinary reality of the city. He gives a little touch of madness, joy and fun to the city.
– The location: the location is the theme and the theme is the location. He just adds himself to the street, plays with absolutely everything that happens around him and takes advantage of it.
– The audience: it’s just the people he finds on the street and who decide to rest and enjoy the artistic action with him. It’s a kind of “democratic” audience: they can stay or not, they can choose if they want to pay or not, they decide.

[n.Eju]

About the Project

<<Fuck the Fascism intends to help expose the true story behind monuments which glorify genocides, tyranny and slavery; to raise public awareness about the national heroes who we praise, those men who our streets are named after, and bequeathed great wealth forged with robbery, abuse and blood.>>

Fuck the fascism is a posporno, porn vandalism, and radical artivism project.

[n.Eju]

Wandering, strolling for fun, a means of displacement, of revindication, a way of life… this trio of acrobats explore the anthropology of walking. Why must we walk ? And for how long ?

[n.Eju]

D-construction

« Popular and interactive, D-construction questions the profound nature of social links in the public space. What unites us? Separates us? Federates us? To what extent are we able to question the territories, borders and institutions?

By physically placing the spectators at the heart of the play and urban scenography, we invite them to get involved. To live the experience of commitment and revolt.

Immersed in the mass, the dancers create confusion in interpersonal relationships. They seek a connection with the audience, they aim to surprise. They jostle and prod into reaction. This is why I wanted to leave an important place to improvisation. Exposed to the audience at all times, even when recuperating, the dancers must be able to adjust their acting at any moment. Supported by the music, their only language is the language of the body. I wanted everyone to have their own. Free gestures. A danced identity. »

Mehdi Meghari, choreographer

[n.Eju]

Outside market and park.
-It’s open and free way places.
-It’s outdoor places.
-You can rest or not without “any rules”: It doesn’t have a closing time, don’t have an activity that you have to do.
-Everything is possible. many things can happen.
-People who don’t know each other can meet and try differents ways to relating.

Public spaces have a collective nature. It is a gap in privacy and the individual character of society. Public space has collective laws, experiences, history, dynamics… but it also has one of all each own and exclusive for each person and individuality that inhabits it.

[Author]

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